Netflix’s The Witcher is a dark, funny, and faithful adaptation of the fantasy series

You learn nearly everything you need to know about The Witcher hero Geralt (Henry Cavill) a few minutes into the first episode. The titular witcher — a work-for-hire monster hunter with some helpful superpowers — is first seen in a swamp, nearly killed by a giant spider monster, beaten and almost drowned. In the next scene, Geralt heads to a local pub for information on his next quest, only to be subjected to ridicule and scorn from villagers who are scared of his supernatural nature. Ultimately, he’s saved from a barroom brawl thanks to a helpful young woman, who very quickly becomes a romantic partner. The Netflix adaptation captures the enigmatic hero perfectly. He’s struggling to survive in a world that hates him, stubbornly sticking to a moral code that forces him into dangerous situations. He’s gruff and sarcastic, always down for a fight, impossibly charming, and frequently irresistible. It’s a premise that worked well in book and video game form — and now it’s one of the best series on Netflix. As a TV show, The Witcher is particularly refreshing in an era full of nihilistic fantasy stories inspired by Game of Thrones. Yes, the show gets brutal at times. The wonderfully choreographed fight scenes are extremely violent, as is one very particular and hard-to-watch magical transformation.

It’s a show where — shock! — the bad guys are usually humans, not monsters. What makes The Witcher feel different, though, is in the details. These stories aren’t full of people being awful for the sake of it; they’re making choices based on love or survival, and then things go wrong. What makes The Witcher so compelling is how it delves into these gray areas, exploring why people do what they do. By the end, you’ll have some measure of sympathy for almost everyone, no matter how irredeemable they might seem at first. Crucially, The Witcher has a sense of humor. It’s not all dark and dire. Jaskier (Joey Batey) frequently plays the comedy relief, following Geralt around despite not being welcome, in order to turn Geralt’s exploits into song, sometimes breaking the fourth wall in the process. “There I go again,” he says at one point, “just delivering exposition.” When he meets the witcher for the first time, the bard tells him “I love the way you just sit in a corner and brood.” Meanwhile, Geralt’s quietly sarcastic nature is on full display. He can cut through any situation, no matter how awkward or horrible, with a frustrated “fuck.” And one of the show’s most dramatic sex scenes is accompanied by a playful jig and gawking onlookers making jokes. The Witcher could’ve very easily turned out wrong. It’s not hard to misinterpret what it is that actually makes the series interesting, but the TV adaptation gets it. The Witcher is funny, intense, and uncomfortable, and it balances out those disparate emotions almost perfectly. Yes, it stars Henry Cavill in a bad white wig, but you’ll forget about all of that as soon as he starts talking.